RePro Stream strengthens ecosystem with new on-set and signal monitoring integrations
We've brought together Pomfort’s on-set look management, Nobe OmniScope’s technical checks, and RePro’s remote collaboration into one seamless workflow.
The updates give film and television productions a seamless way to align vision and technical precision across increasingly distributed teams.
Bringing on-set looks to remote collaborators
On set, Pomfort Livegrade is a trusted solution for real-time adjustments to live signals and look management, ensuring the creative intent is carried throughout the entire production process. With the new integration, introduced in Livegrade 7 via the optional “Outputs and Streaming” extension module, look previews can be streamed directly through RePro so remote directors, producers, and colourists see the same graded live images or playback in real time.
Explaining the significance, Lukas Wanderer, Product Manager for Livegrade at Pomfort, said:
“With the new version of Livegrade, we wanted to enhance DITs' and DPs' flexibility and options for previewing looks also beyond the set. The integration with RePro ensures the creative intent can be shared with remote collaborators in real time.” Tailored views created in Livegrade – such as clean feeds, multi-view camera layouts, slate/metadata overlays – mean every stakeholder sees precisely what’s relevant to their role.
Extending technical visibility with Nobe OmniScope
Nobe OmniScope, the world’s most advanced video scope application from Time in Pixels, now connects with RePro. Speciality scopes such as False Color, Twin Peaks, and HDR quality control tools can be mirrored remotely, giving distributed teams access to the same technical insights as those in a colour grading suite. For colourists and finishing teams, this creates a direct on-ramp into the creative conversation, allowing them to validate looks, flag issues, and preserve visual consistency from the very first capture. With OmniScope’s new SRT support, productions benefit from lower latency, improved stream control, and frame-accurate playback up to 60fps – optimised for live collaboration.
Highlighting the value of the integration, Tom Huczek, founder of Time in Pixels, noted:
“Adding SRT support to OmniScope is about giving productions lower latency and more control. Through partnerships with RePro (for SRT integration) and Pomfort (for our upcoming Live Pack feature integrating directly with Livegrade), we’re enabling remote signal quality control and monitoring across workflows ranging from color suites to live multi-camera productions.”
For productions coordinating splinter units, studio executives seeking progress visibility, or colourists contributing remotely, the combined workflow reduces miscommunication, accelerates feedback, and helps avoid costly reshoots.
Phil Oatley, CEO of RePro Stream, added: “Productions need both creative confidence and technical assurance, whether teams are on set or halfway around the world. By integrating with tools like Livegrade and OmniScope, RePro makes sure what you see remotely matches the intent and integrity established on set.”
These integrations reinforce RePro’s role as the central link between on-set decision-making and remote creative review, making it easier for productions to maintain momentum without compromising quality.
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